Παράκαμψη προς το κυρίως περιεχόμενο

The Empire of Death. Paul Koudounaris.

Ο γύρος του κόσμου σε ένα φέρετρο...Ο ιστορικός τέχνης Paul Koudounaris έφτασε μέχρι το 'Αγιο 'Ορος για να καταγράψει τα αριστουργήματα της λατρευτικής (και μακάβριας) "αρχιτεκτονικής" από ανθρώπινα οστά. Δεν του επέτρεψαν όμως να φωτογραφίσει τα ζωγραφισμένα κρανία των Ρώσων μοναχών ("the Rembrandts of skull-painting"). "Τίποτα το προσωπικό μαζί σας", του είπε ένας καλόγερος που έμοιαζε με τον Ρασπούτιν, "άλλωστε ούτε και στον Πούτιν το επιτρέψαμε". Το βιβλίο του Paul Koudounaris κυκλοφόρησε τον Οκτώβρη του 2011 από τις εκδόσεις Thames & Hudson. "I had completed a PhD in Art History at UCLA in 2004 but had not done much with that training, other than teach some classes at local universities and generally convince my colleagues that my professional interests veered towards the bizarre and suspicious. In 2006 I found a research topic which would occupy me for the next four years. The idea for the book was born in the reception area of a Czech hostel. I had spent a day in Melnik , where I visited an extraordinary charnel house in the crypt under the Church of Sts. Peter and Paul. It was gritty and dirty—decidedly not sanitized for tourists—but the arrangements of the bones showed genius, not just in formal artistic principles, but also in their understanding of philosophy and theology. To this day, the charnel in Melnik remains one of my favorites.That evening, at the hostel in Prague, the receptionist asked about my day. I told him I had been to an extraordinary ossuary, or kostnice in Czech, in the town of Melnik. No, he told me, it’s in Sedlec, near Kutna Hora. He was referring to the famous one, the one they call the “Bone Church,” the one everyone seems to know about and appears in all the tourist guides. The one I myself had visited a few days previously—but not on this day, because, I explained, I had been in Melnik. No, you were in Sedlec, that is where it is, he told me. How can he not know about this, I wondered as he handed me my key. How can he not know about this remarkable place, even closer than the one in Sedlec? Had not other tourists been there? I determined to find out how many more of these places there might be.The answer was about seventy on four continents, for me to visit, photograph, and research, plus countless others I found in historic documents, grande dames which had fallen by the wayside of the passing centuries. They are presented in the book The Empire of Death, containing hundreds of those photographs and a text which not only recovers their history, but the history of the religious movement which gave birth to them. This is not a book about the macabre or death. It is a book about beauty and salvation. If you understand that when looking at these photos, then I hope you will choose to read the book."Paul KoudounarisApril, 2011

Το σπίτι του Dr Paul Koudounaris στο Los Angeles. Φωτ. Mark Berry.

Ο Paul Koudounaris. Φωτ. Mark Berry.

Φωτ. Mark Berry.

Φωτ. Mark Berry.

Φωτ. Mark Berry.

Φωτ. Mark Berry.

Φωτ. Mark Berry.

Φωτ. Mark Berry.

Φωτ. Mark Berry.

Φωτ. Mark Berry.

Κοντά σ' αυτήν τη θεματολογία, το ντοκιμαντέρ In Purgatorio του Giovanni Cioni (2009) αναφέρεται στη λατρεία των νεκρών στη Νάπολη, και ειδικότερα στη λατρεία του καθαρτηρίου. Οι ανώνυμες ψυχές περιπλανιούνται ανάμεσα στους ζωντανούς, στη ζωή τους και τα ονειρά τους, και ζητούν αναγνώριση και δικαίωση.

Το διάσημο Cimitero delle Fontanelle στη Νάπολη, με τους 300.000 νεκρούς από την πανώλη του 1656. Το 1969, το νεκροταφείο έκλεισε μετά από αίτημα του Αρχιεπισκόπου της Νάπολης για να μπει τέλος στις "φετιχιστικές" λατρευτικές πρακτικές, αλλά το 2010, μετά από μία ειρηνική κατάληψη των κατοίκων της περιοχής, άνοιξε πάλι για το κοινό.